Imagine that some creative work you produced in your late teens--for
which you had high hopes, but it never went anywhere then--has been
"discovered" decades later. This work that's so far in your past is
current and fresh to others. It's what they know you for. Whatever
directions you've taken since then, however much you've changed, now you
must revisit that old work.
This is the premise of True Story, volume 1, a nonfiction essay called "Fruitland."
Two young brothers recorded an album in the late 1970s, which only
received wide attention and celebration within the past few years. It
makes for an interesting read, but it also made me question how much of
my own adolescent writing I would still stand behind. I'm a better
writer now, I hope. My perspective on many issues has changed; I'm much
more politically aware now. There's little of my unpublished work from
back then that I would care to put forward now.
And yet, who
would want to turn away new fans, no matter how belated the attention,
no matter how far we've come since creating that work? We all know that
some artists aren't even discovered until after they're dead.
It
just reminds me that fate is quirky, and art is unpredictable, and we
never know where the dandelion seeds of our work will drift and take
root.
Monday, November 28, 2016
Friday, November 25, 2016
Writing for the family
On this blog, I mostly talk about writing for general audiences and
writing for publication, but today I'd like to encourage another kind of
writing: writing for one's family.
Take the time, and encourage your relatives to take the time, to jot down some of the following:
--What you know of the family history
--Funny stories and memories (You know, the ones that get told and re-told around holiday tables over the years? Write them down.)
--Your own accounts of big moments in your own life: wedding day, first job, birth of children, etc. Maybe you've climbed a mountain or won a Pulitzer or competed in the Olympics. Tell about it.
--Your personal accounts of historic events: where were you and what were you doing on 9/11, during the moon landing, during any big event for which you were alive? How did you feel? How did the average person experience these?
--How you've experienced life: do you remember what life was like before the internet? What have we lost that you don't want to go unremembered?
People say we will no longer need personal historical documents like letters and diaries because we document everything on social media. If you want to know what Great-Grandma's life was like, you'll be able to look at her Facebook account!
Well, maybe. But maybe not. The fate of our social media accounts is not entirely under our control. And even if all that information is preserved in perpetuity, it still might be nicer to have the information in a more reader-friendly format.
Your kids may not want to read your account right now, but sometime far in the future, they probably will. And even if they never do, someone in your family, somewhere along the line, will get interested in family history and will want to know this stuff. Which reminds me: label your photographs, too. Include first and last names, and dates.
Take the time, and encourage your relatives to take the time, to jot down some of the following:
--What you know of the family history
--Funny stories and memories (You know, the ones that get told and re-told around holiday tables over the years? Write them down.)
--Your own accounts of big moments in your own life: wedding day, first job, birth of children, etc. Maybe you've climbed a mountain or won a Pulitzer or competed in the Olympics. Tell about it.
--Your personal accounts of historic events: where were you and what were you doing on 9/11, during the moon landing, during any big event for which you were alive? How did you feel? How did the average person experience these?
--How you've experienced life: do you remember what life was like before the internet? What have we lost that you don't want to go unremembered?
People say we will no longer need personal historical documents like letters and diaries because we document everything on social media. If you want to know what Great-Grandma's life was like, you'll be able to look at her Facebook account!
Well, maybe. But maybe not. The fate of our social media accounts is not entirely under our control. And even if all that information is preserved in perpetuity, it still might be nicer to have the information in a more reader-friendly format.
Your kids may not want to read your account right now, but sometime far in the future, they probably will. And even if they never do, someone in your family, somewhere along the line, will get interested in family history and will want to know this stuff. Which reminds me: label your photographs, too. Include first and last names, and dates.
Wednesday, November 23, 2016
Happy Thanksgiving
Here's hoping you are surrounded by the people for whom you are the most
thankful, and that the blessings you're counting are many.
Here's hoping that you find joy in the day, common ground with family and friends, and renewed energy for the season ahead.
Here's hoping that you find joy in the day, common ground with family and friends, and renewed energy for the season ahead.
Saturday, November 19, 2016
Time
Put butt in chair, fingers on keyboard. Write every day. Stop procrastinating. Pull the plug on the internet. Make time.
There's merit to all these sayings; writing never gets done if we don't sit down and do it. That part of the process is under our control.
But for me, there's a part of the process that can't be forced, that doesn't follow the schedule of my will. Certain writing problems get worked out below my conscious level. I turn them over consciously, and when I start going in circles I let them be. I take a walk or do chores or sleep, and I can feel something percolating at the back of my mind, but I can't articulate it. I don't know the answer yet.
When the solution eventually seeps (or bursts) into my full awareness, it's a relief.
When I took a cognitive psychology course in grad school, one of the things I heard there was that the solution of a stubborn problem was often not so much about attacking the problem to figure out the answer, but stepping away and forgetting the wrong answers so the right solution was no longer blocked.
I haven't yet found a way to rush this process. I recently had a door open in my current project, and although I've been knocking at that door for a while, it seems that what I needed to open the door was simply time.
There's merit to all these sayings; writing never gets done if we don't sit down and do it. That part of the process is under our control.
But for me, there's a part of the process that can't be forced, that doesn't follow the schedule of my will. Certain writing problems get worked out below my conscious level. I turn them over consciously, and when I start going in circles I let them be. I take a walk or do chores or sleep, and I can feel something percolating at the back of my mind, but I can't articulate it. I don't know the answer yet.
When the solution eventually seeps (or bursts) into my full awareness, it's a relief.
When I took a cognitive psychology course in grad school, one of the things I heard there was that the solution of a stubborn problem was often not so much about attacking the problem to figure out the answer, but stepping away and forgetting the wrong answers so the right solution was no longer blocked.
I haven't yet found a way to rush this process. I recently had a door open in my current project, and although I've been knocking at that door for a while, it seems that what I needed to open the door was simply time.
Monday, November 14, 2016
There comes a time
There comes a time in the life of a manuscript when it is hideous to the
eye, when one cannot bear to read it yet again, when entire sentences
have been accidentally committed to memory, when one begs for something
fresh to work on.
In my experience, that time is usually when there is one more pass to go. The end is in sight, but ... not ... quite ... yet. The finish line is just a crawl away.
In my experience, that time is usually when there is one more pass to go. The end is in sight, but ... not ... quite ... yet. The finish line is just a crawl away.
Friday, November 11, 2016
Comfort and magic
I'm rereading Patti Smith's M Train this week, which is a comfort
read for me. I have many comfort reads: childhood favorites; classics;
plot-driven bestsellers of yesteryear; humorous essays; just to name a
few. M Train is the quietest of quiet books, but its spell lies
in the way Smith finds magic in daily life, in memories, in objects that
act as talismans, in habit and in dreaming.
As writers, we are constantly observing the world around us, seeking the magic in the moment. Today I saw golden beech leaves fluttering to the ground, and piled up a satisfying stack of library books, and listened to hopeful music, and signed some petitions, and did some work that needed doing, and revised part of a manuscript. A quiet day--a useful day, I hope, with a few bits of magic. Darkness comes early now, and it suits my mood of settling in with a comfort read to cap off the day. I hope you, too, are finding comfort and magic.
As writers, we are constantly observing the world around us, seeking the magic in the moment. Today I saw golden beech leaves fluttering to the ground, and piled up a satisfying stack of library books, and listened to hopeful music, and signed some petitions, and did some work that needed doing, and revised part of a manuscript. A quiet day--a useful day, I hope, with a few bits of magic. Darkness comes early now, and it suits my mood of settling in with a comfort read to cap off the day. I hope you, too, are finding comfort and magic.
Sunday, November 6, 2016
A weekend with librarians
I've been at the Young Adult Library Services Association (YALSA)
conference where I was refreshed--as I always am when I attend a
librarians' conference--by their enthusiasm and dedication. These are
the kinds of questions they are discussing: How can we better serve our
communities? How can we reach more people? How can we ensure that our
collections and services are diverse? What materials do our communities
need? What's next on the horizon?
I was there as an author, but I'm also a library user and a library supporter. A grateful one.
I was there as an author, but I'm also a library user and a library supporter. A grateful one.
Subscribe to:
Posts (Atom)